Tuesday, December 27, 2005

Diversity, Shmeversity

It's pretty much like clockwork. You can always tell how the day's going by the number of blog posts I get up to. I have diligently sat here since 9:01 a.m. struggling to get into this half hour pilot I'm trying to write. Eight hours with breaks and I have about nine or ten of the hardest-fought pages ever. Painful. But I am not moving til 6:30. If my usual holds, I'll get another five pages written between 5:30 and 6:30 pm when I knock off, begging the question, "what the hell is wrong with you?"

Alex over at Complications Ensue made a post about doing a "diversity pass" and got taken out to the woodshed by some of his commenters. You can check out the whole ugly contretemps here.

I have some sympathy for Alex's dilemna. One of my favorite things about Grey's Anatomy is the fact that the Black leads and the Asian leads are people, and not plugged-in for racially tinged stories, except when it confounds your pointy-head PC expectations, like when Sandra Oh's Christina Yang revealed to her beau, Dr. Burke, that she was Jewish. I clapped my hands like a seven-year-old girl trying to keep Tinkerbell from dying. (little Durang reference for you theater-philes out there.) To my recollection, Grey's has yet to do a racially-based story. And Hallelujah for that. Gee, wonder if that has to do with the fact that the creator is a black woman? Maybe if we get some more diversity in the boardrooms of the networks buying these shows, and in the creator and showrunner's offices, and the problem will solve itself.

But I doubt it.

We'll still have to suffer through the Female Black Judge and the Magic Black Person (which, granted, is more prevalent in the Film division, but still...) There's also the One Black Friend of all the White People, and the Single Asian Cheerleader, and the Good Looking Blond Mugger, (which I think someone over on Complications Ensue mentioned.)

For my part, I've struggled mightily in one of my pilots to have a dumb female Asian character (who was Jewish and Texan, to boot) and the network reaction was basically...well...let's be diplomatic and say, "questioning."

The thing is, as retarded as it sounds, (And yes, I said "retarded." I'm reclaiming the word,) there are only so many combinations available to you. I wanted the dumb Asian female character partly to show our hyphenated society, and partly because, damnit, I have met a lot of dumb Asian women in my time. And why not confound expectations?)

I wanted her to have big ol' Texas hair and a southern drawl because, damnit, that would just be funny. And I've met Asian girls with southern accents. And it's dead sexy, hoss.

But at the same time, how do you go to the network with another black criminal? If you have a black character who's dumb, what does that do to your show? What's the reaction going to be? And do you want that reaction to overshadow the material? Maybe people aren't comfortable talking about it, but these things are at issue. To say that they're not is hopelessly naive.

There is a female Canadian journalist who was one of Canada's most respected newswomen. She's interviewed Prime Ministers and Presidents and Nobel Prize winners. She co-anchored the National Newscast on the CBC for a time. She's now the Canadian Consul General in New York. But the thing that I've never been able to forget is how a top Canadian network exec told me that the only thing this woman did in her journalism career that got a consistent, passionate response from viewers was change her hair.

Seriously. Every haircut, hundreds of calls.

Do you think writers go through these hoops because we're the crazy ones? Sometimes. But that doesn't make the issue any less worthy of consideration.

Invent the colorblind, totally racial-consideration free society, and most writers I know will be right there with you. But until then, just because race isn't something that we ever talk about doesn't mean that we don't have to talk about it.

And for the record, my favorite Diversity Pass EVER was a Canadian show made by the same company that does DeGrassi. It aired about ten years ago.

The character was....drumroll, please....

a gay
native
bicycle courier


I think he had a learning disability, too.

Awesome.


4 rumbles:

MaryAn Batchellor said...

But is he over 40?

Alex Epstein said...

Good point about not pissing off the network. But do you think writers also have a responsibility not to promote old stereotypes? Is it just the reaction at the network you're worried about if you got a dumb jive-talkin' black guy on the air? Or are we all artistes and we have no responsibility at all for our use of the airwaves?

DMc said...

Well what responsibility you do or don't embrace as a screenwriter I think says more about your own personal politics, social outlook and ethics.

I raised the pragmatic view because, as a professional, that's the issue you're going to have to face wherever you come down on those issues.

Personally, I thought Chapelle's Show, which traded in some pretty pernicious stereotypes about white and black people, was hysterically funny. Other people think it was crass and went too far.

With the serious problems of race in North America (and I don't think the problem is any less serious in Canada, just a little more polite and under the surface, as are most things in Canada) I don't think we're serving the public very much by putting up the token female black judge. Grey's Anatomy is far more daring -- putting up colorblind characters in colorblind stories as a focus, not as window dressing.

Black and White don't even watch the same shows anymore. I mean, really, if you have a whole passel of shows about black folk on UPN that no white people watch, and a bunch of comedies with "a happy well adjusted black character" that white people watch and at least subtly think, "hey, things aren't so bad because Veronica Mars' best buddy is black..." well, is that better? I don't know.

Turn to music and fashion and black culture is totally dominant. Hip hop kids from the lily-white suburbs already stampede to buy records that glorify a glock and ho lifestyle that , if it truly is representative of anybody, surely isn't representative of them.

By inverting stereotypes, are we doing more harm than good? I don't know.

I know that I'd go to the battlements to rip apart any show that portrayed Jews as controlling, money-grubbing, etc, all the usual nastiness.

But when it comes to gangsta-ism and thuggery -- well, that's actually celebrated by black culture itself. (and I know that it's not monolithic...still, I'm just saying.)

I don't have any answers for this. I just think it's something that has to be dealt with case-by-case. I'd just like to see people dealing with it in a more clever or sophisticated way than by having the Magic Black Person or Female Black Judge show up.

40-Year-Old Virgin, by the way, is another movie that used ethnic characters really well. The conflict between the brown and black characters, and the characterization of the lothario black guy (a stereotype in some quarters) were some of the funniest elements in the movie.

writergurl said...

Hey! Y'all are talkin' 'bout lil ole me. I'm Asian (well, half Asian) and I speak with a Southern drawl... 'cause I live in Atlanta. I NEVER see me on tv. Not even on the gay channels. (Which I am too, queer that is...) Talk about being unrepresented!

One thing, though, is different from me and your "diversity pass" character... I'm not dumb.

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